I’ll post full results of the latest Kpopalypse survey later, but one of the big requests that is emerging is that people really want me to write a post about song structures in k-pop. So, here it is!
Here’s the post which contains all the results of the AOA-themed music trufax test quiz, including all the technical explanations, charts, and smug thinly-veiled shade that you crave!
It’s the return of fun Kpopalypse technical learny posts that you all love! In this episode of “I likey likey dis and I dislikey dislikey dat”, we’re going to find out all about the Fender Rhodes!
If you’ve been a regular reader of Kpopalypse roundup, you’ll know that a song featuring a Fender Rhodes is released about every week in k-pop lately, and that these almost universally receive negative write-ups. But what exactly is a Fender Rhodes, and more importantly, why is its inclusion in a k-pop song synonymous with super-low song quality? Read on to find out more!
Three things I have noticed about my readership:
So here’s a little post about pedal-point harmony – a musical term that I refer to quite often. What the fuck is it? Kpopalypse will explain all! Although this is a music theory post, you won’t need to know anything about music to understand this post, because I’m going to attempt to explain pedal-point harmony in a way that any drooling fangirl can understand. Or maybe not, but we’ll certainly talk a lot about drooling fangirls on the way, just for fun. Don’t forget your napkin!
Have you ever wondered what the fuck music reviewers are talking about when they discuss music genres in k-pop? When is a piece of music one genre and not another? Are these writers and journalists just pulling these music terms out of their ass or what? It seems that many of you in fact wonder a lot about different music genres because I get questions all the time about it. Of course, you could look the answers up on Wikipedia if you wanted, but what Wikipedia won’t give you is the k-pop connection and k-pop music examples. That’s where Kpopalypse comes in! If you’ve ever wondered about how to tell your pop from your rock, your ska from your reggae and your hip from your hop, then this is the post for you!
Vocals in k-pop. Everybody wants me to write about it, but there’s not a lot to say because nobody with a brain cares. The reasons why nobody with a brain cares are:
The first point should be basic common sense to anyone (except vocalfags), so let’s talk about the second point. What techniques are used to get good vocals out of someone who can’t sing well, or didn’t sing well in a particular circumstance… and how likely is k-pop to be using them? Let’s find out! (Spoiler alert: fuckin’ likely.)
Hi everyone, it’s that time again – time for one of those technical posts that you all love. Recently people have been asking me variations of the following question:
Yes I am! If you’ve ever wondered what constitutes a decent production, Kpopalypse is here to help! Read on for all the trufax about good production vs bad production!