Understanding plagiarism and song ownership issues so you don’t look like a fuckhead on the Internet

A couple years ago I wrote this post and then this other post about plagiarism in k-pop, to help the people I encounter understand the basics of what plagiarism is and is not.  I still gets tons of questions every time a new k-pop plagiarism or song ownership dispute appears, which seems to be about once per week lately.  So in the spirit of “teach a man to fish rather than slap them across the face with a fish“, as well as the spirit of “please stop asking me these stupid fucking questions because nobody cares”, Kpopalypse now brings to you a nice, simple guide to finding plagiarism in your favourite k-pop songs!  Yay!

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Okay, so I’ll do another blog about plagiarism, sampling and genre similarity as long as you all promise to STFU about it.

Ever since I wrote a blog recently about IU’s plagairism accusations and melodic plagiarism in general, I’ve been bombarded with people asking the following:

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I’ve been reluctant to dive into answering this question, simply because I don’t want to be “that guy” who people run to whenever there’s a new plagiarism case to ask what I think.  The whole point of my last blog was to hopefully get people to realise that similarity in music is a completely normal thing across all music styles and genres and to stop fucking obsessing over it, and of course plenty of people completely missed that point and instead used the post as a tool to obsess about the issue and picked things apart even more – which was exactly the opposite to what I intended.  Yay me.

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